Bringing in a VFX-heavy feature for $80 million is no mean feat, and Josh McLaglen, a veteran of the some of the most complex logistical films in recent memory, points to the unique workflow as a big part of that process. “If you’ve got two ordinary people talking over coffee or even fighting each other for most of your movie, our production paradigm is unnecessary,” he concludes. “But if two of the four main characters are paranormal, it makes really good sense, and is a cost-effective methodology for budgeting complex films. Avatar was translated virtual-to-virtual, only rarely with humans being interactive. But this one is going virtual-to-live-action in the real world. To accomplish that, I think we used the tools better this time.”Read the entire article here. Also of note is this fxguide "Case Study" on Real Steel and the accompanying fxpodcast.
Wednesday, November 9, 2011
ICG Magazine: 'Raging Bulls' Examines the DP-to-VFX Workflow on 'Real Steel'
International Cinematographers Guild (ICG) Magazine takes a good in-depth look at the VFX-driven cinematography workflow on the recent sci-fi boxing movie Real Steel. The film was lensed in HD by Mauro Fiore, Oscar-winning DP of Avatar, and the workflow leveraged and advanced many of the tools developed on that picture.