[Shooting on Digital] gives me a lot more options. It’s got more latitude, it’s got better color rendition. It’s faster. I can immediately see what I’m recording. I can time that image on set with a color-calibrated monitor…. Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it?Here's a peek at the cinematography of True Grit, for which Deakins is nominated for a Best Cinematography Oscar, and which might end up being his last movie shot on film:
Showing posts with label Roger Deakins. Show all posts
Showing posts with label Roger Deakins. Show all posts
Sunday, February 20, 2011
Master Cinematographer Roger Deakins on Shooting with ARRI ALEXA: "Film Had a Good Run"
nofilmschool.com reposted a great interview with master cinematographer Roger Deakins, originally posted on /film:
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