After Effects is a professional tool by any measure, but it is designed for a broad user base. So an artist who plans to push it hard will want to tune the application accordingly.Read it, bookmark it, and start pimpin' out your After Effects today!
Wednesday, November 30, 2011
Prolost: ' Pimp Your After Effects'
DV Rebel's Guide author and all-around digital video guru Stu Maschwitz has published this handy guide for squeezing the most out of his favorite compositing software:
Tuesday, November 29, 2011
Instructables: Make a Cool Tron-like Daft Punk Helmet
For the budding prop-makers and/or lovers of Tron Legacy and Daft Punk, here's an awesome step-by-step Instructable for building a replica of Guy Manuel's iconic helmet written by propmaker Fennec Cooper. Fennec takes you through all the materials and tools he used, plus the steps for building a prototype, creating a mold to cast copies, detailing, painting, and lighting. Even if you don't ever build this particular prop, the methodology can work for any other type of helmet or armor piece you might think of.
Monday, November 28, 2011
Art of the Title: 'Mad Men'
Art of the Title has published this great look behind the scenes of the iconic opening title sequence for AMC's "Mad Men." A must-read for all aspiring motion graphics artists!
Tuesday, November 22, 2011
DV Internships: November 2011
Here are the latest internships for Digital Video (and related fields), courtesy of our friends in Industry and Career Services:
Job ID: | 2582 |
Job Title: | Digital Video |
Job Type: | Internship - Unpaid |
Full/Part Time: | Part Time |
Openings: | 1 |
Salary: | |
Skills Required: | |
Description: | Video Production Wizler Duties Include How To Apply Send a resume to Phalene Leichtman. Looking to hire as soon as possible! Employer Website: Wizler Posted 11/18/2011 Expire 11/25/2011 |
Job ID: | 2581 |
Job Title: | Events Intern |
Job Type: | Internship - Unpaid |
Full/Part Time: | Part Time |
Openings: | 1 |
Salary: | |
Skills Required: | |
Description: | Publicity Intern San Francisco Film Society Duties Include Skills Required How To Apply Send a resume and cover letter to Bill Proctor Employer Website: San Francisco Film Society Posted 11/18/2011 Expire 1/18/2012 Location: San Francisco, CA |
Job ID: | 2580 |
Job Title: | Digital Media Artist |
Job Type: | Internship - Paid |
Full/Part Time: | Part Time |
Openings: | 1 |
Salary: | $0-$8 Hourly |
Skills Required: | |
Description: | Graphics Internship Wizler Duties Include Skills Required How To Apply Send a resume and cover letter to Phalene Leichtman Employer Website: Wizler Posted 11/18/2011 Expire 12/18/2011 |
Job ID: | 2567 |
Job Title: | Digital Video |
Job Type: | Internship - Paid |
Full/Part Time: | Full Time |
Openings: | 2 |
Salary: | |
Skills Required: | |
Description: | Web and Video Developers New Amsterdam Consulting, Inc. Duties Include 1.Produce a 5 minute video on the project 2.Build a business card Web site for the projec Skills Required How To Apply Send a resume and cover letter to Brad Snyder Employer Website: New Amsterdam Consulting, Inc. Posted 11/8/2011 Expire 12/8/2011 Location: Scottsdale, AZ |
Monday, November 21, 2011
UAT Takes Home Four Awards at IFP/Phoenix 'Breakout Film Challenge'
On Friday November 18th, IFP/Phoenix hosted the screening and awards party for its latest filmmaker challenge, the seven-week "Breakout Challenge." Rather than giving filmmakers a prop and line of dialogue that they would be required to use (as is the case in a 48-Hour Film Challenge), IFP/Phoenix gave filmmakers some themes to choose from AND some additional deliverables to produce. Instead of just making a 5-minute film, participating filmmakers also had to produce a 30-second teaser trailer, a poster, a press kit, and other marketing materials.
Two teams of UAT Digital Video students participated.
The team of Erica Faccone, Bryan Simcox, Wes Peterson, and Sean Walter produced the drama "Wish You Were Here," which took home the awards for "Best Use of Theme" and "5th Place Film." Here's their trailer:
Meanwhile, the team of Trevor Spotted Eagle, Samantha Hammond, Jamil Abubakar, Caleb Evans, Ib Gillett, Jared Oppie, Tyler Dennis, Ariel Navarrette, and Paul Rosario, working under the supervision of Professor Paul DeNigris, produced the sci-fi thriller "Reset." Their film won awards for "Best Visual Effects" and "3rd Place Film." Here's the trailer for "Reset":
Congratulations to both our teams!
Two teams of UAT Digital Video students participated.
The team of Erica Faccone, Bryan Simcox, Wes Peterson, and Sean Walter produced the drama "Wish You Were Here," which took home the awards for "Best Use of Theme" and "5th Place Film." Here's their trailer:
Meanwhile, the team of Trevor Spotted Eagle, Samantha Hammond, Jamil Abubakar, Caleb Evans, Ib Gillett, Jared Oppie, Tyler Dennis, Ariel Navarrette, and Paul Rosario, working under the supervision of Professor Paul DeNigris, produced the sci-fi thriller "Reset." Their film won awards for "Best Visual Effects" and "3rd Place Film." Here's the trailer for "Reset":
Congratulations to both our teams!
Cruzine: 'Freebies from Daily Inspirations no. 21 – 40'
I'm a sucker for free stuff, especially free textures, vectors, and fonts. Here's a cool collection of useful freebies from Cruzine, including blood (my fave), lightning, ink drops, Spanish football club logos (!) and more. Happy downloading!
Sunday, November 20, 2011
Hope For Film: 'New Platforms Available For Direct Distribution'
Veteran indie producer Ted Hope has aggregated a list of 30 or so platforms for what he calls "do it yourself" or "do it with others" distribution. The list includes crowdfunding stalwarts Kickstarter and IndieGoGo, peer-to-peer networks, distribution aggregators, and more. Just goes to show - the distribution landscape is wide and varied these days. Check out Ted's list if you're thinking about making an indie film any time soon.
Friday, November 18, 2011
Exposure Guide: 'Focusing Basics'
Here's a handy graphical guide to the relationship between lens aperture and subject distance to depth of field. Worth a look even if you think you have a good handle on it! Check it out here on Exposure Guide.
Thursday, November 17, 2011
Networked Blogs: 'Inventing Your Career'
Here's a blog post I saw that I thought would help anyone looking for that career stepping-stone right out of college:
I know for certain that when you invent your own career, you consciously choose to leverage your own talents, your own skills, your own preferences – rather than contorting yourself to fit into a narrow job description of someone else’s design.Read the rest here. Great stuff.
Wednesday, November 16, 2011
Motion Design Center: 'What is Motion Design?'
For more info, check out Motion Design Center's website.
Tuesday, November 15, 2011
PremiumBeat: '25 Excellent Post-Production and Video Editing iPhone and iPad Apps'
PremiumBeat.com has published a handy list of 25 great film and video production apps for iPhone and iPad, including one of my favorites, "Movie Slate." Many of the apps support Final Cut Pro (fellow Apple products after all) but a good number of them are software-agnostic and extremely useful.
Read the full list here!
Read the full list here!
Monday, November 14, 2011
Considering the move to Los Angeles?
If you're like many UAT Digital Video students - or film students in general, for that matter - you're probably considering moving to Los Angeles after college in order to get your career going. Wise move. (And if you're not considering the move, as yourself "Why not?") Well, here's the resource you've been looking for: I'm Moving to L.A., a website specifically for you. (The site's subtitle is "Real advice from real people on how to live and survive in Los Angeles.) Bookmark it now!
Friday, November 11, 2011
Thursday, November 10, 2011
60 Minutes Overtime: 'Filming mountain climber Alex Honnold'
What do you need to film a segment on a rock climber who scales thousand-foot sheer cliff faces without a rope? Fourteen cameras and nerves of steel.
Wednesday, November 9, 2011
ICG Magazine: 'Raging Bulls' Examines the DP-to-VFX Workflow on 'Real Steel'
International Cinematographers Guild (ICG) Magazine takes a good in-depth look at the VFX-driven cinematography workflow on the recent sci-fi boxing movie Real Steel. The film was lensed in HD by Mauro Fiore, Oscar-winning DP of Avatar, and the workflow leveraged and advanced many of the tools developed on that picture.
Bringing in a VFX-heavy feature for $80 million is no mean feat, and Josh McLaglen, a veteran of the some of the most complex logistical films in recent memory, points to the unique workflow as a big part of that process. “If you’ve got two ordinary people talking over coffee or even fighting each other for most of your movie, our production paradigm is unnecessary,” he concludes. “But if two of the four main characters are paranormal, it makes really good sense, and is a cost-effective methodology for budgeting complex films. Avatar was translated virtual-to-virtual, only rarely with humans being interactive. But this one is going virtual-to-live-action in the real world. To accomplish that, I think we used the tools better this time.”Read the entire article here. Also of note is this fxguide "Case Study" on Real Steel and the accompanying fxpodcast.
Tuesday, November 8, 2011
48 Hour Film: 'The Taste of Lies'
UAT Digital Video's entry into the November 2011 Inter-College 48 Hour Film Challenge, hosted by Grand Canyon University. The film took home the 'Best Director' award for director Trevor Spotted Eagle.
The parameters were:
- line of dialogue: 'I enjoy the taste of lies.'
- prop: a snowglobe
- character: Harry Colon, linebacker
- genre: mystery
Written and directed by Trevor Spotted Eagle
Cinematography by Jared Oppie
Edited by Nicolas Vereen
Starring Annie Winn
fxguide: 'Incredible, Invisible Effects'
Here's a great article that breaks down some of the not-so-obvious effects work in recent films such as Drive, Contagion, Killer Elite and Harry Potter and the Deathly Hallows, Part 2. As usual fxguide does a bang-up job of going into the nuts and bolts of what makes these sequences work so well. Read it at fxguide!
Sunday, November 6, 2011
UAT Digital Video student wins 'Best Director' in GCU-hosted Inter-College 48 Hour Film Challenge
UAT Digital Video student Trevor Spotted Eagle picked up the 'Best Director' trophy Sunday evening on the campus of Grand Canyon University at the awards ceremony for the latest Inter-College 48 Hour Film Challenge.
The challenge began on Friday evening when 4 teams from GCU and 1 team from UAT were given their marching orders; films were required to include:
- line of dialogue: "I enjoy the taste of lies"
- prop: snowglobe
- character: Harry Colon, linebacker
Each team received a different genre, and Team UAT's was "mystery." Working all weekend, the team produced the slick psychological mystery-thriller "The Taste of Lies," which featured a detective character tasked with solving a murder her own alter ego had committed.
This was the third matchup between UAT and GCU in the Inter-College 48 Hour Film Challenge, which began as a twice-yearly tradition in 2010. One of GCU's entries "Narwhal" took home the 'Best Actor' and 'Best Film' trophies this time around. UAT will be hosting the next installment of the challenge in April or May.
The challenge began on Friday evening when 4 teams from GCU and 1 team from UAT were given their marching orders; films were required to include:
- line of dialogue: "I enjoy the taste of lies"
- prop: snowglobe
- character: Harry Colon, linebacker
Each team received a different genre, and Team UAT's was "mystery." Working all weekend, the team produced the slick psychological mystery-thriller "The Taste of Lies," which featured a detective character tasked with solving a murder her own alter ego had committed.
This was the third matchup between UAT and GCU in the Inter-College 48 Hour Film Challenge, which began as a twice-yearly tradition in 2010. One of GCU's entries "Narwhal" took home the 'Best Actor' and 'Best Film' trophies this time around. UAT will be hosting the next installment of the challenge in April or May.
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